Saturday, December 12, 2015

Intro

Gallery Name: Chroma
Location: Yucaipa, CA
Run By: Katlynn Tatge
Type of Work: All types of work are welcome in this gallery; there are no boundaries on age of artists nor work, level of experience, medium of the art, etc. The work shown here is simply work that catches my eye and I feel needs to be shared with others.

Exhibition Introduction

Exhibition Title: What Doesn't Kill You
Artists Being Shown: Tiia Reijonen, Elizabeth Tilly, Linda Ronning, Kevin Llewellyn, Menton Matthews III, Zack Dunn, Kit King & Corey Popp, Shawn Beaudry, and Clara Lieu
Exhibition Statement: This show centers around macabre art and the beauty of horror and dark arts. The work in the exhibition does not necessarily focus on death or injury, but all connect based upon the creepy atmosphere they present, no matter the subject. In terms of selecting artists, I have researched online for work that may fall into this category. Since there are so many great works out there that have a macabre feel to them but don't have death as a subject, I didn't want to limit my theme and therefore the artists connect more on the feeling and atmosphere of the work, not necessarily subject matter. 

Tiia Reijonen

Artist: Tiia Reijonen
Title: Butcher's Boy
Medium: Digital Art, Painting
Size: Digital IN. x Digital IN. (0cmx0cm) (digital media- no set size)
Date: 2013
About the Artist: Tiia is a 21 year old artist living in Helsinki, Finland. She is currently studying graphic design in Aalto University. She focuses on digital art, illustration, and graphic design. 
Statement: "I'm really interested in adapting existing ideas and concepts to be relevant and relatable in this moment and place in time. There's definitely something that resonates in the idea of an individual accidentally tampering with forces far beyond their understanding; crossing forbidden boundaries, coming across cursed objects, provoking unknown gods and whatnot." -Tiia Reijonen
About the Work/Connections: "I wanted to try and paint something a bit more complicated and layered. I am very happy about how some individual parts turned out but overall I think there might just [be] a bit too much going on here." - Tiia Reijonen 

This piece is grim and gruesome in a couple of ways. Obviously, the body parts and organs of animals scattered throughout the work start the shock factor, but Tiia pushes the boundaries by beginning to cut the boy open as well, exposing his brain. The boy is painted to look very pale and sickly, adding to the feel of the painting. What I think makes this painting not as gruesome as it could be is the manner in which it was painted. It isn't very realistic, and though the piece is very dark, it is also very colorful. If this were a hyper-realistic it might be too much. 

Chet Zar

Artist: Chet Zar
Title: Horror Head
Medium: Oil on Gessoboard in custom sculpted, hand cast urethane resin frame
Size: 5x7
Date: 2012
About the Artist: "Born on November 12th, 1967, in the harbor town of San Pedro, CA, Chet Zar's interest in art began at an early age. His parents were always very supportive and never put any limits on his creativity. His entire childhood was spent drawing, sculpting and painting.
Zar's interest in the darker side of art began in the earliest stages of his life. A natural fascination with all things strange fostered within himself a deep connection to horror movies and dark imagery. He could relate to the feelings of fear, anxiety and isolation that they conveyed. These are themes which had permeated most of his childhood drawings and paintings and are reflected in his work to this day.
The combined interest in horror films and art eventually culminated into a career as a special effects make up artist, designer and sculptor for the motion picture industry, designing and creating creatures and make up effects for such films as, "The Ring", "Hellboy I & II", "Planet of the Apes" and the critically acclaimed music videos for the art metal band Tool. Zar also embraced the digital side of special effects as well, utitlizing the computer to translate his dark vision with 3D animation for Tool’s live shows and subsequently releasing many of them on his own DVD of dark 3D animation, "Disturb the Normal".
But the many years spent dealing with all of the politics and artistic compromises of the film industry left Zar feeling creatively stagnant. At the beginning of 2000 (at the suggestion of horror author Clive Barker), he decided to go back to his roots and focus on his own original works and try his hand at fine art, specifically painting in oils. The result has been a renewed sense of purpose, artistic freedom and a clarity of vision that is evident in his darkly surreal (and often darkly humorous) paintings." - From chetzar.com
Statement: "When I start a painting, I let my intuition lead the way, just like when I was a kid, sketching without an obvious purpose, lost in a world of monsters. It felt like home then and it still does now.The characters I paint may seem like creatures from another dimension, but I think they are simply us, here and now. Modern humanity without it's masks, without the adornments that make us acceptable to whatever group we are a part of. From the straight-laced conservative to the anti-social rebel, we all cover up to fit in someplace. Yet the only place where we are truly the same is on the inside.We all share feelings of fear and loneliness. We feel insecure and vulnerable. We feel separate from our environment and each other. These are the feelings that I try to convey in my paintings. These are the feelings that connect us." -Chet Zar
About the Work/Connections: Zar creates ghoulish creatures he feels represent people and the emotions they have deep inside. I feel like that idea is very present in his work. You can see the emotions in his paintings- the fear, anger, shame, loneliness and wanting. The eyes of his creatures are so incredibly expressive, yet at the same time feel empty. His creatures are terrifying yet beautiful; you feel sorrow for them. It seems as if they are calling out to you through the piece.

Elizabeth Tilly

Artist: Elizabeth Tilly
Title: Aristocat
Medium: Pencil on Paper
Size: 35x35 cm
Date: 2013
About the Artist: "When the lasagna content in my blood gets low, I get mean. Besides that I am a 20 year old art student from Sweden who prefer to dress in black."-Tilly
Statement: "My passion in life is drawing - an obsession I tend to practice during the night. Most frequently I work with a mechanical pencil accompanied by white charcoal, and there has often come to be a dark sentiment over my pieces. Simply put: I'm obsessed by the lust of obscurity." -Tilly
About the Work/Connections: Tilly has mastered darkness in her work. She takes images, such as this, an image of a friends cat, and transforms them into creepy, gloomy masterpieces. The high value contrast and third eye on the cat move this from touching portrait to a slightly disturbing, moody piece. Her work has subtleties that push it them into the zones of horror and macabre, and she truly has a style that is all her own.

Linda Ronning

Artist: Linda Ronning
Title: Sinister
Medium: Pencil on acid free sketching paper
Size: 11"x8"
Date: 2014
About the Artist: Linda Ronning is based out of Kvalsund, Norway. She is 26 years old and describes herself as a "hopeful illustrator".
Statement: "I define my work as sharp and clean, nightmarish, macabre, weird and slightly sexy. I like balancing the real with the unreal. And skulls. Lots of skulls."- Linda Ronning
About the Work/Connections: Linda describes her work perfectly. It's clean and crisp, yet haunting and nightmarish. Her work isn't shockingly morbid or disturbing, yet like this piece, it has a creepy feeling that makes it difficult to ignore. She uses a lot of classic horror subjects in her work such as this baby doll, as well as puppets, insects, etc. Her work is kept simple, which in my opinion adds to the eerie feel.

Kevin Llewellyn

Artist: Kevin Llewellyn
Title: Kat Von D/ Blood Rosaries
Medium: Oil On Canvas
Size: 24"x 20"
Date: 2009
About the Artist: Kevin Llewellyn is an American painter known for his dark ultra realistic life size full body or life inspired oil paintings. Llewellyn was born in Ohio. He attended the Ringling College of Art and Design, and since has been a permanent resident of Los Angeles, California, where he continues to paint realistic portraits, full body portraits, and dark subject matter utilizing techniques of 17th-century painting masters. Kevin has taught art workshops at Gnomon, Wonderland LA, ConceptArt.org events and at colleges around the United States and Europe. He was recently the opening artist for Kat Von D's art gallery: Wonderland LA.
Statement: "The art of Kevin Llewellyn is extraordinarily complex despite its traditional and academic look. For one thing his artistic personality is split between being a creative giant capable of bringing to life amazing and fantastic beings that challenge the imagination and a genuine understanding and appreciation for 19th century academic realism. ... For those of us frustrated by the unbelievable lack of talent exhibited in the art world today, Kevin Llewellyn seems to offer us a ray of hope." - Dr. Louis A. Zona, Director, The Butler Institute of American Art, Youngstown, Ohio.
About the Work/Connections:  This piece by Llewellyn is a portrait of Kat Von D, whom he says is his "eternally beautiful muse." He has done multiple paintings of her and has worked closely with her, even having an exhibition in her Wonderland Gallery in 2010. Kevin's work is very dark and macabre, mostly focusing on the human body and skulls. While this piece may not be dark as dark as others, it definitely has a morbid feeling to it. The detail of the heart is only accented by the rosaries dripping with blood, bringing in thoughts of religion and afterlife, even helplessness. The portrait behind is lacking saturation, giving it a haunting, ghostly feel, only adding to the mood of the painting.